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Water in the West
- 11 U.S. artists looking at Water and land use in arid regions of the U.S. West. |
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ABOVE: Laurie Brown, Waterfront Living, 1991 |
LEFT: Wanda Hammerbeck, Horseshoe Bend in the Colorado River, 1997 |
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More than oil or gold, our rearrangement of water has altered the landscape
of the American West. Beyond the 100th meridian, the West begins-that vast
territory defined by the need for irrigation in order to grow substantial
crops. We have created man-made rivers with our aqueducts. We have created lakes
where there were none with our reservoirs. We have even made our water flow
uphill pushed by powerful pumps. Without seeing the full ramification of our actions, we have taken water from seven Western states and Mexico and made it flow to Los Angeles.
Wanda Hammerbeck
From Water In The West
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| Robert Dawson, Pipe Carrying Most of San Francisco's Water, Near Mather, CA, 1992 |
| Peter Goin, Chair, Firelight, and Canyon View at Last Light, Davis Gulch, Esclanted River, Lake Powell , June 2003 |
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Human tampering with the natural world has made the Earth itself an artifact, for the process of civilization has
been one of domesticating environments. In the American West, perhaps the most apparent human effort to control
nature is the management of water, particularly the Colorado River, which descends from the Rocky Mountains and
concludes its 1,500-mile journey at the Gulf of California. This great river with its unparalleled rapids is
oversubscribed.The Colorado River has become a symbol of the hope, conflict, and dilemma of managing nature's aridity.
Peter Goin
From Humanature
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| Terry Evans, Frankfort; Illinois, September 2003 |
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My photographs in the Water In The West project have evolved from my travels throughout the West looking at our
culture's relationship to water. The work is concerned about our attitudes toward growth and related environmental controversies.
Some of the work addresses the issues with irony. Some of it looks at our culture's desire to possess, control, and shape the land
and water to our needs. Certain photographs document abuse, while others examine the complex, evolving relationship to water that I
hope to influence with this work.
Robert Dawson
From Water In The West
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ABOVE: Geoffrey Fricker, Disabled Space, 1995
TOP LEFT: Mark Klett, Viewing Thomas Moran at the Source, Artist's Point, Yellowstone, 2000
BOTTOM LEFT: Martin Stupich, Elephant Butte Dam, New Mexico, 1991
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My photographs and installations create a contemplative space where one may consider the subtle and profound connections
between humanity, nature, and our constructed environments. The subject of water provides endless material for ideas and artworks
that bring greater awareness of the interdependence of human beings and the natural world. My artwork develops from the myriad
meanings, mythologies, and metaphors associated with water, the universal solve(nt), integrated with ideas about nature, the body,
and art experienced as a "sacred site."
Sant Khalsa
From Watershed and Western Waters
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| Ellen Land-Weber, Catacean Sighting at Arcata Marsh, 1999 |
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 For further information
contact Frank Rose at exhibits@fotofest.org 
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